Kudos to art & art history and environmental studies double-major Paul Franceschi ’19, who showcased his senior thesis work, “Frontcountry Principles,” as part of an exhibition at Zilkha Gallery here at Wesleyan, earlier this month.
“One of the more expected ways to engage with the environment through images might be to highlight some kind of devastation that humans have wrought upon the natural world,” says Franceschi. “In my work I’m trying to identify a more subtle but possibly just as worrying impulse: a covering-of-tracks, a hidden curation and regulation of space, a totalization of the landscape. Rather than focusing on a conflict between the natural and human worlds, in my photos I’m trying to frame a kind of virtual reality of landscape, where images of the environment are illusory, malleable, and almost uncanny.”
Franceschi is also one of four environmental studies seniors to be inducted into Wes U’s Gamma Chapater of Phi Beta Kappa this academic year. Read more about the ceremony on News@Wes.
Each year, our 
Each year, our COE Think Tank brings together Wes students and faculty from across the university, plus a noted outside scholar, for a yearlong conversation on a topic of vital environmental importance. This year’s focus: how humans relate to and value the non-human part of the world. Learn more about questions our 2018-19 faculty fellows have been pondering this year. 
Award-winning writer-conservationist-activist 
On February 22, the COE hosted a screening of the 2016 documentary short film Shash Jaa’: Bears Ears, followed by a Q&A with Navajo-Hopi filmmaker/director Angelo Baca. A post-showing reception featured a photo exhibit of the Bears Ears region by Fiona McLeod ’19. 
This past January, Nethra Pullela ’20, Liz Atalig ’21, and Jackie Duckett ’20 joined 
Associate Professor of Theater Marcela Oteiza’s research has just been published in the Journal of Theatre and Performance Design. The article includes text and photos from Wesleyan students who participated in the study abroad winter session 2018– including the photo above, by Jose Luis Sanchez.